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[ART] Night of the Red Sands, The Divine Cities Series - Robert Jackson Bennett. A gorgeous, dramatic painting as described in the novel. Can be appreciated canon-blind!

You're Gonna Need A Softer World, Jaws, A Softer World remixes. Every one of these is hilarious and absolutely spot-on.

Do Automatons Dream of Albino Eels?, Sunless Sea/Citizen Sleeper, gen, 6k. A zee-captain finds a mechanical stowaway and must decide what to do with it. I'm not familiar with the Citizen Sleeper, but the crossover character fits really naturally into the Fallen London universe. Great atmosphere all the way through, so many deliciously horrible little bits of worldbuilding flavor, and a satisfying arc of the stowaway automaton and the crew learning to care for one another.

fix it (how can you fix it?), BtVS, Spike/Buffy, 3k. Buffy's soulmark signifies that her soulmate died before she was even born. I really enjoyed the extra details of soulmate worldbuilding this added, and if Spike and Buffy were soulmates, I could definitely see it going exactly like this. <3

The Beat Goes On, At Bertram's Hotel - Agatha Christie, 6.6k, gen. The scandal at Bertram's Hotel is a major news story—apparently too major for Beatrice to be trusted with it according to her editors, even though she's always been the one to cover stories about Lady Sedgewick. A very cool timestamp featuring an OC I loved immediately, a female reporter trying to make it in a man's world, and doing whatever she needs to to get the story, including going back home to visit little old Miss Marple. IMO you don't need to remember the novel to enjoy this (because I did not remember it, lol).

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All Systems Red (2017) by Martha Wells. A humanoid cyborg created to do wet work jobs finds itself giving a shit about a human research team it's supposed to be protecting on an alien planet.

I can see why people love Murderbot itself; it's a big old angst bucket desperately trying to pretend it isn't one. I've seen people characterize this type as an iron woobie, and it's fandom catnip.

However, I did not connect with any other part of this novella. It's so damn insubstantial. There are other characters, but they're mostly indistinguishable. There's a strong whiff of claustrophobic found family that made me DNF the one Becky Chambers book I tried, with the same element of "the one character who doesn't buy in without question is treated as an antagonist." There's some worldbuilding, but extremely thinly drawn. The prose is conversational, which can work great in a lot of cases but here just feels like one more missed opportunity to give me anything I might be interested in.

I've read a lot of pro SFF novellas over the years, and I genuinely can't think of one that felt less deserving of its length than this one. You can pack a lot of thoughts and ideas into a novella! But this didn't even try. If it'd been a third of the wordcount, I probably would have liked it pretty well.

I've heard the second and third in the series are the best, and I might try them at some point, but tbh I think I'd have better luck with the show, which at least has real actors to lend some weight and complexity to the characters.

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The Tainted Cup (2024) and A Drop of Corruption (2025) by Robert Jackson Bennett. The first two books of his Shadow of the Leviathan series, a Sherlock and Holmes riff (or possibly a Nero Wolfe and Archie riff) about an idiosyncratic middle-aged(?) female savant and her long-suffering young gay assistant solving murders in a fantasy world where basically all technology is organic in some way.

These were great fun. Bennett seems really into both cosmic horror (the "leviathans" of the series are mountain-sized monsters that crawl out of the sea and wreak havoc every wet season) and body horror (more terrible plant-related things happening to bodies than you can shake a stick at). Even when this world is running the way everyone wants, it's still so damn weird (complimentary). Augmentations that turn your skin purple and gray! Immortality treatments that stop aging and cause you to just grow forever, like an iguana! The augurs in the second book who pattern-match to such a degree that they can't handle spoken communication: A++, and they reminded me a bit of parts of Anathem.

Ana Dolabra, the foul-mouthed savant detective is far and away the best part. Her assistant Din Kol, from whose perspective the stories are written, is a real sad sack, both due to circumstances and apparently innate temperament, and sometimes that can be a bit of a drag. I also felt like his renewal of purpose in A Drop of Corruption came way too easily; it almost felt like it happened off screen.

Overall, though, these are just a great time. It sounds like Bennett is on a roll, and I can't wait for the next one.

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Dust Bunny (2025). A little girl hires a hit man (Mads Mikkelsen) who lives across the hall to kill a monster under her bed. Or, Roald Dahl meets John Wick.

This is listed as a "horror thriller," which I guess is true in the same sense that the Barbie movie is a "political drama." I would be more inclined to call this a dark fantasy/action movie. It's also rated R, and I legitimately do not know why; this is like a mid-tier PG-13. I kept waiting for things to get gory and justify the rating, and they never did, so I recommend managing your expectations on that front.

The aesthetic here goes extremely hard. Their apartment building is an absolutely incredible art nouveau confection. We visit other locales with similarly heightened decor, but honestly nothing is nearly as visually stunning, which I think is fine, because the apartment building is the heart of the movie.

The acting here is all extremely good. In addition to Mikkelsen and the child actress, who is fantastic, we also have Sigourney Weaver, David Dastmalchian, and someone I didn't know named Sheila Atim who is delightful.

This is fun ride and great time. I spent most of the movie having absolutely no idea where it would go next. If any of this piques your interest, I definitely recommend it.

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Wicked: For Good (2025). First, props, the subtitling is clever. Anyway, this is the second half of the story of a good witch and a bad witch fighting/collaborating with the machine while pining for each other and also some guy who's just kind of there.

Honestly, "just kind of there" describes a lot of this movie. It doesn't really expand on any of the political motivation from the first movie, so I had trouble remembering exactly WHY the wizard and his henchwoman have decided to demonize the animals and by extension their defender Elphaba. Fiyero the awkward third wheel, whom I actually found quite charming in the first movie, got almost nothing to do here. No animal character got any kind of significant development; the closest we got was one of the flying monkeys, who didn't even get any lines for plot reasons. There's a subplot involving Elphaba's disabled sister becoming increasingly more unhinged and embittered by her romantic disappointment and probably ableist society at large, but then, you know, she dies from a house falling on her, so that's the end of that. There's a Big Reveal about Elphaba's parentage that literally everyone saw coming, but which Elphaba herself doesn't even get to find out about or react to. There are barely even any big musical set pieces and basically no dance choreography at all. The only song that made a real impression on me was Elphaba's big heel turn song No Good Deed, and I hear from the theater folks that it was kind of weaksauce compared to the live musical version.

All that said, this is the Elphaba and Glinda show, and they're great, honestly. Ariana Grande's comic timing is impeccable. The pining truly is spectacular; there's an amazing scene towards the end that must be seen to be believed. The shippers feasted.

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The Sorcerer and the Shadow, Cthulhu Mythos, Original Miskatonic Student/Original Sorcerer, 3k. Nathaniel Palfrey seeks a sorcerer's aid. Ambrose Corbin is more than happy to oblige. A twisty, nasty little horror story, full of layers. Really captures that menace Lovecraft's villains have while also being a literal gay seduction story. You love to see it. :')

HousesuoH, House of Leaves, 7k. Pre-canon horror fic about a contractor who agrees to do a renovation project on the house and really, really regrets it. This author has correctly identified the missing quarter-inch as the best/worst part of the whole book and has expanded on it. What a fun little horror story.

Yggdrasil Station: A 1-day Wormhole Hopper's guide!, Original Work, gen, 2.6k. Join interstellar travel blogger 1DAYWORMHOLEHOPPER as she guides you through the unique attractions of the one-time backwater Yggdrasil station! A delightfully terrible little story/blog/transcript of a cheerful vlogger trying out the gourmet dining experience of a meal prepared from a bodymodded human tree. Must be read to be believed. The author absolutely nails the voice of this particular genre of media.

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ficinabox reveals have happened, and after being a post-deadline pinch hit (and then a post-post-deadline pinch hit...) and being a little nervous about it, I got some great things. :3 More recs to come once I get a chance to explore the rest of the collection.

i said farewell (i meant don't go), Red Sonja (2025), Sonja/Petra, 7k. Petra survives the arena, goes traveling with Sonja after the end of the movie, and absolute does not pine or have any feelings about it (and then gets abducted by an eldritch cult, oh no). Jaded traumatized warrior women/young earnest warrior woman, what an excellent ship. :') The writing here is gorgeous, and the fic hits that good tropey goodness in a way that can be hard to find in femslash.

Probably readable canon-blind? If this sounds like your jam at all, I definitely recommend. This fandom is SO SMALL that the tag is unwrangled on AO3, and I worry that no one but me is going to find this fic and read it.

The Lonely Ones, Kyle Murchison Booth stories, Booth/Alexis Rigby pre-slash, 5k. One misterable stormy night, Alexis appears on Booth's doorstep, to their mutual surprise. This is the first fic for this ship longer than a drabble, and I am so delighted it exists. The writing is really delicate and lovely, and very careful, as it needs to be when writing Booth making new personal connections (whether he wants or not).

Reflections, Kyle Murchison Booth stories, Booth/Ratcliffe, 3k. Despite his best intentions, Ratcliffe loses touch with Booth and then starts to form some suspicions about why that might be. I love this premise of Booth being a kind of liminal being as well, which fits right in with some of the ways Monette treats time and setting in canon. A nice shippy little ghost(?) story.

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Star Trek: TOS
Cheek to Cheek by

septemberbells
Chapel/Uhura, 100 words. Very sweet. <333

The Haunting of Hill House
Oleander Square by

galaxyofroses
Theo/Eleanor, 2k. Theo returns haunted from Hill House, maybe literally. I love this unconventional form of haunting. This has just great atmosphere, with lovely prose and such elegant imagery.

Original Work
Little Rat by

ChocoChipBiscuit
Noblewoman/The Woman Her Husband Is Having an Affair With, 5k. A noblewoman goes to a her London townhouse, only to discover her estranged husband's newest bed-mate. I enjoyed the hell out of this. I love their dynamic, their mutual respect for each others' worldliness and practicality combined with their attraction for each other. Also: the smut is scorching hot. Just delightful all around.

True Detective: Night Country
All Summer in a Day by

Luna
Danvers/Navarro, 3k. Or: six months later, a reunion. This is the hot, gorgeous, atmospheric, character-driven, immediately post-canon shipfic at that random lake cabin that we all deserved! The writing here is so lovely, and the dynamic between them is complicated and full of sparks. I especially love the Danvers voice here. Wonderful stuff.